SELECTED
BIBLIOGRAPHY
1988
Sarah Kent, Time Out, May
James Burr, Apollo, May
'Yuko Shiraishi' interview by Fumio Nanjo, Subaru, June
Kazu Kaido, Bijutsu Techo, July
'The Presence of Painting' catalogue essay by Michael Tooby, 'Aspects of British
Abstraction'
1957-1988 'Mappin Art Gallery, Sheffield Peggy Cyphers, Arts Magazine, October
Marina Vaizey, The Sunday Times, 11 December
1989
Tieerhuys Galerij, Belgium, catalogue essay by Yuko Shiraishi
"Abstract Connection' William Packer, The Financial Times, August
'Yuko Shiraishi' catalogue essay by Michael Tooby, ShigeruYokota Gallery, Tokyo,
Japan
Arturo Silva, The DailyYomiuri, September
'From Prism to Paintbox - Colour Theory and Practice in Modern British Painting'
catalogue
essay by Roy Osborne, Oriel Gallery, Ciwyd, Wales
1990
Fumio Nanjo, Flash Art Intemational, March/April 'Yuko Shiraishi' catalogue
essay by Margaret Garlake,
Edward Totah Gallery, London
Mary Rose Beaumont, Arts Review, May
Robert MacDonald, Time Out, May
Mel Gooding, Art Monthly, July/August
Mary Rose Beaumont, Galleries, October Sacha Craddock, The Guardian, l0 October
'Kunstlerinnen des 20 jahrhunderts' catalogue essay by SisterWendy Beckett,
Museum Wiesbaden, Germany
1991
'Double Take Japan -America' catalogue essay by Michael Tooby and Akira Tatehata,
Art Association, New York, USA
1992
Janet Koplos, Art in America, May
'Geteilte Bilder-Das Diptychon in der neuen Kunst' catalogue essay by Gerhard
Finckh,
Museum Folkwang, Essen, Germany
Angelika Storm-Rusche, Neue Zeit, Berlin, Germany, 2 April
Katja Behrens, Kolner Stadt Anzeiger, Cologne, Germany, 21 April
Angelika Storm-Rusche, General Anzeiger, Bonn, Germany, 16 April
'A sense ofpurpose' catalogue essay by Michael Tooby, Mappin Art Gallery, Sheffield
Sue Hubbard, Time Out, November
Sister Wendy Beckett, "Art and the Sacred' published by Rider
David Morris, Insight Japan, November
1993
'Yuko Shiraishi' catalogue essay by Mel Gooding, Gallery Kasahara, Osaka, Japan
'Moving intoView - Recent British painting' catalogue essay by Sacha Craddock,
Arts Council, London
'The Structure of Painting - Japanese Contemporary Stripes' catalogue essay
by Arata Tani, Bumpodo Gallery, Tokyo, Japan
'Zwei Energien' Haus fur Konstruktive und Konkrete Kunst, Zurich, Switzerland:
catalogue essay by Thomas A. Clark
"Japan Aspekte Eines Ländes und Einer Gesellschaft' by Margit Weinberg
Staber
William Packer, Financial Times, 14 May
"Zwischen Intellekt und Intuition' SabineWeder- Arlitt, Der Sandbole
'Der Schatten vonWeiss' SabineWeder-Arlitt, Zurichsee-Zeitung; Bodenen Engblatt;
LimmottalerTagblatt; Bremgarter Tagblatt
WolframVogel, Sudkurier
Nicoletta Locarnini, Arte, June
'Junge Kunst Sammeln 93' catalogue essay by Heinrich Klotz, Daimler Benz, Stuttgart,
Germany
1994
Lucinda Bredin, Sunday Telegraph, 12 June
Geraldine Norman, Independent on Sunday, 31 July
Martin Gayford, Sunday Telegraph, 21 August
William Packer, Financial Times, 10 September
John McEwen, Sunday Telegraph, 18 September
JohnWindsor, Independent on Sunday, 18 September
William Packer, Financial Times, 24 September
Martin Gayford, Modern Painters, Autumn
1995
SisterWendy Beckett, 'Meditations of Silence' published by Dorling Kindersley
Sarah Kent, Time Out, 22-29 November
Sue.Hubbard, New Statesman and Society, December
1996
Monograph'Yuko Shiraishi' Cantz'scheVerlag, Germany: 'HarmonyThat Puts Order
Into Contradiction' by DrVolker Rattemayer;
'Natural Selection' by Waldemar Januszczak; 'AThin Irregular Yellow Line' by
Thomas A. Clark;
"Torrential Rain' by Yuko Shiraishi
'Gedehnte Einsichten' Sabine Weder-Arlitt, Tages-Anzeiger Zuritip, Zurich 31
May
Sibylle Omlin, Neue Zuricher Zeitung 23 July
Heinz Norbert Jocks, Westdeutsche Allgemaine Zeitimg, 24 October
Antje Klose, Rheinische Post, 26 October
Linde Rohr-Bongard, Impulse, November
'Focus' catalogue essay by Richard Grayson, 'Not quite': Some works by Yuko
Shiraishi, 'Focus'
catalogue essay by Yuko Shiraishi, Experimental Art Foundation, Australia
Doris Hartmann, OberlanderTagblatt, Seite 3, Sargans
SG, 3 December
1997
Linda Maria Walker, Broadsheet Vol. 26 Autumn, Australia
'Heteronymous' catalogue essay by Achille Bonito
Oliva, Juliet Steyu and Stella Santacatterina
'Juxtapositions', catalogue essay by Caoímhin Mac Giolla Leith, Annely
Juda Fine Art, London
Michael Muridsany, Le Figaro, 1 October
Sacha Craddock, The Times, 18 November
Sue Hubbard, Time Out, 10 - 17 October
1998
'Abstraction and Melancholy', catalogue essay by Ildiko D. Udvary
'Yuko Shiraishi', catalogue essay by Norbert Lynton, Ernst Museum, Budapest,
Hungary
'Clear and Saturated', catalogue essay by Yuko Shiraishi for Arti et Amicitiae,
Amsterdam
1999
'As Dark as Light', catalogue interview with Michael Tooby, Tate St Ives, Cornwall
'Geometrie als Gestalt', catalogue essay by Fritz Jacobi, Neue Nationalgalerie,
Berlin
Jonathan Jones, The Guardian, 1 June
Andrew Lambirth, RA Magazine, Summer
Charles Darwent, The Sunday Independent, 6 June
Camilla Blechen, Frankfurter Allgemeine Zeitung, 14 June
Ossian Ward, The Art Newspaper, July - August
Valerie Reardon, Art Monthly, July - August
Rachel Campbell-Johnston, The Times, 28 July
Sue Hubbard, Contemporary Visual Arts, Summer - Autumn
John McEwen, The Sunday Telegraph, 8 August
Ennio Puchard, Lanedi, 9 August
William Packer, Financial Times, 10 August
Katie Tokus, Evening Herald, 14 August
Janet Koplos, Art in America, October
2000
Marion Benz, Basler Zeitung, 22 - 28 June
2001
'Assemble – Disperse', 'Globalisation, Identity, Culture, Art and A World
of My Own',
catalogue essay by Yuko Shiraishi, Annely Juda Fine Art, London
Mark Wilsher, What's On, 20-30 May
Martin Coomer, Time Out, 23-30 May
'Towards the forest of colour and regeneration', catalogue essay by Takeshi
Sakurai, Gallery Kasahara, Tokyo
2002
Yuko Shiraishi, ‘FIH - Field Institute Hombroich, Germany’,
Landscape & Art, Number 25
'Colour - A life of its own', catalogue essay by Livia Paldi, Mucsarnok, Budapest
'Die unendliche Linie, The Infinite Line’, catalogue essay by Volker Rattemeyer,
Renate Petzinger,
Katja Blomberg, Museum Wiesbaden
'Episode', catalogue essays by Sarah Shalgosky, Helen Legg and Nigel Walsh,
'Free Will' by Yuko Shiraishi, 'Whispered Asides: The paintings of Yuko Shiraishi'
by Marco Livingstone,
'Painting and Photography' by Andrew Benjamin
Karen Write, Modern Painters, Winter 2002
Rose Aiden, Vogue, Nov 02
2003
Mark Ewart, The Irish Times, April 28
Nicola Jackson, ‘Building The BBC: A return to Form’ by BBC
'Tuesday is cerise', 'Making Space', catalogue essay by Richard Grayson
2004
‘Was ist Kunst?' by Angela Thomas-Schmid, Du June
2005
Manfred Eichel, Zeitraum